After making a sensational performance in Kaadhal, Bharath returns with February 14 directed by debutant director Hochimin, assistant of Shankar. Bharath simply excels. Siva (Bharath), a native of Madurai comes to Bangalore to continue his higher studies. There he meets Pooja (Renuka Menon), is instantly attracted towards her and falls in love with her. Pooja, an US returned girl lives with her grandfather (Pyramid Natarajan).
Pooja who is born and brought up in the US, finds it difficult to understand, adjust and fine-tune with the Indian culture. This makes her decide to return to the U.S. In this situation, Siva steps in and conveys his love for her through a letter. Siva keeps his identity a secret leaving the girl confused though not scurrying for cover. The closeness blossoms even when the two keep their distance. Now Pooja is in a confused state and starts searching for the person who sent her the letter. She decides to cancel her plans to return to US. The uniting of Siva and Pooja forms the rest of the story.
February 14 is surely a candy floss love subject. This youthful romance film has the right mix of sentiments, humour and style, and makes a good entertainer. Bharath as Siva has done a commendable job. He has given a full-blown performance as Siva, the cool and composed youth who is ease at any situation. Renuka Menon has done a very good job and steals the show in the climax. She effectively brings out the pain of a girl in love. Her expressions, body language and dialogue delivery are very impressive. Vadivelu抯 comedy is enjoyable.
Rathnavelu抯 cinematography and Bharadhwaj抯 music are also major plus points of the film. Though the film reminds one of Kaadhal Kottai, it is the fast screenplay and treatment given by debutant director Hochimin which keeps the much-needed tempo in the movie. He has engraved the central characters in depth and this makes the film stands apart from others. Bharadhwaj抯 music is melodious. On the whole, the film is entertaining.